| Residential College | false |
| Status | 已發表Published |
| Orchestral Reinterpretations of Chinese Folk Music: Bridging Traditions through Western Instrumentation | |
| Dennis Ping-Cheng Wang | |
| Subtype | 著Authored |
| 2024-06 | |
| Publisher | Quantum Press |
| Publication Place | USA |
| Abstract | Traditional folk music often reflects the cultural heritage and historical background of a nation or region. It encompasses a diverse range of creative forms, including arts, literature, customs, and religion, expressed through oral and musical performance. Notably, the majority of Chinese folk music is characterized by short, lyrical melodies with the repetition of refrains. The musical forms are generally binary or ternary, accompanied by local instruments. These songs are typically performed multiple times. Furthermore, a significant portion of traditional Chinese folk music is based on the pentatonic scale. This is due to the distinct music theory and compositional constraints that differ from Western classical music traditions. Consequently, traditional Chinese music has developed its own unique scales and compositional principles. This volume presents a collection of orchestrated arrangements of renowned Chinese folk songs, crafted to bridge the musical traditions of China and the Western classical canon. The work presents pioneering artistic works along with an innovative conceptualization of ethnicity, cultures, and aesthetics. Through a meticulous selection and analysis of seven iconic folk melodies, the author has sought to preserve the cultural essence and sonic qualities of the original compositions while reimagining them for performance by Western ensembles. The author has meticulously examined the structural elements, rhythmic patterns, melodic intervals, and musical ranges that define the unique soundscape of Chinese folk music. In the orchestration process, great care has been taken to select Western instruments that can most effectively capture the inherent timbres, textures, and emotional resonance of the source material. While the orchestrated renditions may not adhere to the typical length and formal structures of Western classical compositions, they aim to faithfully convey the musical idioms and aesthetic sensibilities of the Chinese folk tradition. The author has intentionally maintained the concise, lyrical qualities and repetitive phrasing that characterize many Chinese folk songs, allowing the essential charm and cultural identity of the original works to shine through. Performers may select and combine several of the orchestrated Chinese folk pieces to create suites for performance purposes. In determining the instrumentation for the orchestrations, the author has evaluated and selected the Western instruments that can most effectively express and preserve the original essence and emotional qualities of the Chinese music, based on their distinctive tonal properties. In addition to the orchestral scores, this volume includes detailed analyses that contextualize each folk song within its historical, cultural, and artistic lineage. Readers will gain insights into the thematic content, symbolic meanings, and performance practices that imbue these musical treasures with deep cultural significance. It is anticipated that these newly arranged orchestrations will breathe new life into the ancient music and convey fresh interpretations. By presenting these orchestrated reinterpretations, the author aspires to foster a greater appreciation and understanding of Chinese folk music among Western audiences. Moreover, this work seeks to inspire cross-cultural dialogue and creative exchange, enabling the unique musical voices of China to resonate more widely on the global stage. |
| Keyword | Folk Songs, Traditional Muisc, Orchestration |
| Subject Area | 艺术学 ; 教育学 |
| Table of Contents | 1. The Ballad of the Horse Carriage Driver 2. Pastoral Serenity 3. Jasmine Flower 4. Peasant Farmers 5. Jubilant Festivity 6. Frontier Territories 7. Yangtze River Suite |
| ISBN | 978-1-88900-993-3 |
| Document Type | Book |
| Collection | University of Macau |
| Affiliation | Faculty of Education, University of Macau |
| First Author Affilication | Faculty of Education |
| Recommended Citation GB/T 7714 | Dennis Ping-Cheng Wang. Orchestral Reinterpretations of Chinese Folk Music: Bridging Traditions through Western Instrumentation[M]. USA:Quantum Press, 2024. |
| APA | Dennis Ping-Cheng Wang.(2024). Orchestral Reinterpretations of Chinese Folk Music: Bridging Traditions through Western Instrumentation. Quantum Press. |
| Files in This Item: | There are no files associated with this item. | |||||
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