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Constructions of Self and Other in the Experience of Rap Music
Timothy A. Simpson
1996
Source PublicationConstructing the Self in a Mediated World
Publication PlaceUnited States of America
PublisherSAGE PUBLICATIONS LTD
Pages107-123
Abstract

In recent years, rap music has become a cultural staple of American society. Rap tops record charts and booms loudly from jeeps rolling through urban streets and suburban strip mall parking lots; it pops up in movie soundtracks and out of the mouth of the Pillsbury Dough Boy; it gains money and prestige for some of the artists who make it; and it shouts an anger and hopelessness that many people would like to forget exist. Rap speaks loudly and incisively, softly and offensively, ambiguously and clearly, but most of all it speaks, and it has become increasingly difficult to ignore.

DOI10.4135/9781483327488.n7
Language英語English
ISBN0803970129,0803970110
Fulltext Access
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Document TypeBook chapter
CollectionFaculty of Social Sciences
DEPARTMENT OF COMMUNICATION
Recommended Citation
GB/T 7714
Timothy A. Simpson. Constructions of Self and Other in the Experience of Rap Music[M]. Constructing the Self in a Mediated World, United States of America:SAGE PUBLICATIONS LTD, 1996, 107-123.
APA Timothy A. Simpson.(1996). Constructions of Self and Other in the Experience of Rap Music. Constructing the Self in a Mediated World, 107-123.
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