Residential College | false |
Status | 已發表Published |
Constructions of Self and Other in the Experience of Rap Music | |
Timothy A. Simpson![]() | |
1996 | |
Source Publication | Constructing the Self in a Mediated World |
Publication Place | United States of America |
Publisher | SAGE PUBLICATIONS LTD |
Pages | 107-123 |
Abstract | In recent years, rap music has become a cultural staple of American society. Rap tops record charts and booms loudly from jeeps rolling through urban streets and suburban strip mall parking lots; it pops up in movie soundtracks and out of the mouth of the Pillsbury Dough Boy; it gains money and prestige for some of the artists who make it; and it shouts an anger and hopelessness that many people would like to forget exist. Rap speaks loudly and incisively, softly and offensively, ambiguously and clearly, but most of all it speaks, and it has become increasingly difficult to ignore. |
DOI | 10.4135/9781483327488.n7 |
Language | 英語English |
ISBN | 0803970129,0803970110 |
Fulltext Access | |
Citation statistics | |
Document Type | Book chapter |
Collection | Faculty of Social Sciences DEPARTMENT OF COMMUNICATION |
Recommended Citation GB/T 7714 | Timothy A. Simpson. Constructions of Self and Other in the Experience of Rap Music[M]. Constructing the Self in a Mediated World, United States of America:SAGE PUBLICATIONS LTD, 1996, 107-123. |
APA | Timothy A. Simpson.(1996). Constructions of Self and Other in the Experience of Rap Music. Constructing the Self in a Mediated World, 107-123. |
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