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A room – traces of drawing, an installation and beyond
Lo, Y. Y. P.
2013-05-01
Source PublicationRouter: A Journal of Cultural Studies
ISSN1816-0514
Pages454-473
Abstract上世紀二十年代英國作家吳爾芙提出「自己的房間」的觀念,房間成為女性創作的一個核心。2011年,我分別在台北及澳門籌劃了名叫《房間》的展覽,展現我多年來有關文化符號與只在女性間唱讀的「女書」的繪畫及其延伸創作。當代女性主義哲學家露茜.伊瑞葛來(Luce Irigaray)指出,女性的解放必須要改變經濟體系;由是得要改變文化及其運作的機關,即語言。好些婦女以秘密獨特的「女書」符號唱誦、編繡和書寫,把向來不被大寫歷史所涵蓋的女性故事一一記下,在在說明不一樣的語言表述的可能。我把西方藝術的鉛筆繪畫和非正統的語言文字「女書」串連起來,嘗試從二者的邊緣性和顛覆性的啟發,展現一個房間裡的種種,發展出一套流動、多變、跟傳統不一樣的創作的可能,以期回應伊瑞葛來的「差異的實踐」的理念。文中穿插不同學者、創作人對女性在房間裡創作的論述;房間是為一個方向,也是一個策略。
Keyword繪畫 房間 「女書」 女性藝術創作 差異實踐
Language其他語言Others
The Source to ArticlePB_Publication
PUB ID10092
Document TypeJournal article
CollectionFaculty of Education
Recommended Citation
GB/T 7714
Lo, Y. Y. P.. A room – traces of drawing, an installation and beyond[J]. Router: A Journal of Cultural Studies, 2013, 454-473.
APA Lo, Y. Y. P..(2013). A room – traces of drawing, an installation and beyond. Router: A Journal of Cultural Studies, 454-473.
MLA Lo, Y. Y. P.."A room – traces of drawing, an installation and beyond".Router: A Journal of Cultural Studies (2013):454-473.
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