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'No room for the root-clutch:' Influence and Echoes from Eliot's The Waste Land and in Ezra Pound's 'Eighth Canto' (1922) and in its preliminary, typescript drafts
Gibson, M.I.
2016-12-01
Source PublicationPaideuma
ISSN0090-5674
Pages167-189
Abstract

This article argues that Ezra Pound's experience of editing The Waste Land by T.S. Eliot contributed enormously to his own writing of Eighth Canto, in ways previously unacknowledged. The argument is proven through examination of elements of the manuscript drafts of the Waste Land and Pounds own initial typescripts for the canto.

KeywordEliot Pound Myth Modernism Ovid
Language英語English
The Source to ArticlePB_Publication
Document TypeJournal article
CollectionUniversity of Macau
Recommended Citation
GB/T 7714
Gibson, M.I.. 'No room for the root-clutch:' Influence and Echoes from Eliot's The Waste Land and in Ezra Pound's 'Eighth Canto' (1922) and in its preliminary, typescript drafts[J]. Paideuma, 2016, 167-189.
APA Gibson, M.I..(2016). 'No room for the root-clutch:' Influence and Echoes from Eliot's The Waste Land and in Ezra Pound's 'Eighth Canto' (1922) and in its preliminary, typescript drafts. Paideuma, 167-189.
MLA Gibson, M.I.."'No room for the root-clutch:' Influence and Echoes from Eliot's The Waste Land and in Ezra Pound's 'Eighth Canto' (1922) and in its preliminary, typescript drafts".Paideuma (2016):167-189.
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