| Residential College | false |
| Status | 已發表Published |
| 文学化的无“音”之乐——汉赋用《诗》乐考论 | |
| Alternative Title | Soundless Music of Literary Orientation: on Utilization of the Book of Songsin Han Fu |
王思豪 
| |
| 2016-05-10 | |
| Source Publication | 江海学刊
 |
| ISSN | 1000-856X |
| Issue | 3Pages:227-233+239 |
| Abstract | 汉赋文本中保存有引述、讨论《诗》乐的文献,其彰显出的是文学化的无"音"之乐。汉赋文本用《诗》乐常与五帝三王之"圣乐"相结合,其轨迹是将"圣乐"由与"郑卫"之音的合奏转向与"雅颂"之声的并举,且指向典礼雅乐一途,这以汉哀帝的"罢乐府"之诏为转捩点。赋中典礼用乐,多是取《诗》乐之节奏韵律,旨在体现等级伦理的音乐内涵。赋用《诗》乐,除适应自身描写过程的需要外,又兼用《诗》乐的文字义与乐章义,让赋的语言表达内涵得以扩充,呈现出多层次的美感。 |
| Keyword | 《詩經》 漢賦 圣乐 雅乐 楚乐 |
| URL | View the original |
| Indexed By | CSSCI |
| Language | 中文Chinese |
| The Source to Article | PB_Publication |
| PUB ID | 52062 |
| Document Type | Journal article |
| Collection | DEPARTMENT OF CHINESE LANGUAGE AND LITERATURE |
| Corresponding Author | 王思豪 |
| Recommended Citation GB/T 7714 | 王思豪. 文学化的无“音”之乐——汉赋用《诗》乐考论[J]. 江海学刊, 2016(3), 227-233+239. |
| APA | 王思豪.(2016). 文学化的无“音”之乐——汉赋用《诗》乐考论. 江海学刊(3), 227-233+239. |
| MLA | 王思豪."文学化的无“音”之乐——汉赋用《诗》乐考论".江海学刊 .3(2016):227-233+239. |
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